Yasmin Furmie On Timeless Fashion, Creative Inspiration And SiSi The Collection

Yasmin Furmie / Co-owner of SiSi The Collection / Reluctantly known as a Fashion & Style “Influencer”

You’re a fashion fire in the industry, where did the love story begin?

My story with fashion has always been evident. From an early age there was a desire to dress well. It has also been imprinted on me through my parents, especially my dad who dressed incredibly well. It has since evolved into the style I’m currently known for.

How do you put an outfit together, especially for important events?

There isn’t a lot of thought that goes into putting an outfit together, it all depends on how I feel. Thought does however go into what shoes or sneakers I wear. It may seem as if a particular way of dressing is an automatic thing, but subconsciously the desire to speak through my clothes is always there. Of course certain occasions call for a particular way of dressing and that may result in me thinking a bit more carefully about  how I present myself. Ultimately, my clothes say exactly who I am: Bold, Daring, Outspoken and Unapologetic.

SiSi The Collection, what is it all about?

SiSi The Collection is a collaboration between two people, my best friend Cynthia and I. She loves white shirts and as we’ve always wanted to do something together, the opportunity to start a business came along. We started our business in 2014. We saw a niche we could fill and the rest is history.

Style, how do you translate it into your everyday life?

Style is an ever present part of who I am. I use fashion to tell a unique story. The ability to be comfortable in my choice of clothes, the ease with which I put differing items together is indicative of my quirky style. My layering is what I’m known for and that’s basically an every day occurrence.

Do you have any fashion inspirations?

I find fashion inspirations daily. The beauty of what happens around me in South Africa; the way other people dress, women walking to work at 5am in the morning, looking supremely stylish. Young creatives inspire me daily. I am inspired by what happens globally as well as older women who step outside of the norm.

The South African fashion industry, what are the positives?

The amount of creativity is a positive on its own. In every field there is talent to be found, whether it’s in beauty, art or the design field. The democracy we exist within gives people the freedom to tell their stories in different ways. Sadly, there are not enough opportunities and that can be disheartening but my advice is to focus and pursue, collaborate and find the way to what it is you want to do.

What’s your take on age and dressing up?

Age is never an issue. I believe women should wear what they want, what makes them comfortable and what defines their personality. We are powerful enough not to be prescribed to.

How can females especially make fashion work for them?

I think people make fashion work for them every day. The very act of putting on clothes is an act of stating who you are in this world. We consume fashion in different ways; for some it’s an act of defiance, for others it’s a uniform to fit in. Daily fashion is used to tell stories and my advice to women and people in general, is to find the story you want to tell and see how your clothes can be the vehicle for telling that story.

Follow Yasmin!

Instagram: @yasminfurmie

Twitter: @yasminfurmie

Facebook: @YasminFurmie

 

-Bridgette Makhela

Khai Swartz On House of Velour, Fashion And Being A Young Designer

Khai Swartz / 24 / Designer & Founder of House of Velour

You’re a young female making moves in the fashion industry, has this always been your dream?

Definitely, ever since I was a little girl I always knew I’d work in the fashion industry.

How did House of Velour come about?

I studied a BBA in Media at Lisof, worked for two years at Studio Space Pictures as a Production Assistant and decided I wanted to do my own thing. What better than going back to my roots? Fashion! I love working with different fabrics and textiles, so I started making my own clothes and posting them on social media. I then got the opportunity to work with Moozlie, and since then I’ve been making pieces for people who work in the entertainment industry: Musicians, Presenters, Actresses, Social Media Influencers, etc.

Who’s your target market and why?

My target market initially was influencers, I believed that if you influence the influencer, then the influencer will influence the public, if you get me. It now ranges from young to older people, whether they are creatives or work in the corporate industry, individuals who are bold and enjoy being daring, feeding their alter egos, love dressing up and stealing the show wherever they go, at an affordable price.

What’s the process like when creating a piece for a client?

The client has the option to see my designs online, and can alter it to their requirements. We make custom made garments too, it all depends on the client really.

How does House of Velour stand out from other designer lines?

HOV currently has it’s own aesthetic that nobody else really has. We have an old Hollywood twist to things, 90s Black Excellence vibes with a modern twist of colour. For example, with fur trench coats, HOV’s trench coats are baby blue. Eccentric colours.

  

What’s your plan for building a lasting, fashionable brand?

Just to stay relevant, keep up with trends but design my own twist to things of course, then hopefully open a boutique in the near future.

What would you like House of Velour to resonate with within the industry as a whole?

Class. Opulence. The Versace of designer lines!

How does a typical day look like for you?

I work alone. I have seamstresses in Town and Randburg that constantly work on my garments, turning my designs into reality. I wake up at around 9am, check on my seamstresses, have fittings throughout the day, then if I have time, go have lunch with friends then get back to delivering garments, all while having photo shoots and sending quotes, lol. My days are busy but I love what I do. Always up and down.

What’s still missing in the South African fashion industry when it comes to opportunities for the youth?

Exactly that. Opportunities for the youth. People believe in you and your dreams, however, they don’t like to assist up and coming artists with a monetary injection to help them grow and sustain their brand and that’s what I’ve mainly struggled with, especially men who have the ability to do so. If you’re a pretty girl, it’s even harder because people always want something from you that has absolutely nothing to do with your talent and aspirations, which has kind of set me back. I’ve rubbed shoulders with some of the most powerful and influential people in Johannesburg and have been miserably disappointed in their interests. I think the industry is dark, and if you’re not willing to “do what it takes”, you will hustle longer and harder than the rest.

 

Follow Khai Swartz & House of Velour!

Instagram: @khaiswz

Instagram: @houseofvelour

 

Bridgette Makhela