Naledi Sibisi On Content, The Throne And The Mobb

Naledi Sibisi / 26 / Editor-in-Chief at The Throne Agency

Content, what does this mean to you?

Quality, value, tact and reception. Beyond how you carry and pass on information, I think content (creation and marketing) has more to do with how much you captivate and keep your target audience. The people behind the content have to be in the know; research, be on top of trends, understand what is happening in their industries and address or influence their audience through that knowledge. I think that really great content has more to do with the audience than the creator or marketer in the end. Your audience is ultimately who keeps determining what content is and how it translates.

It took you how many years to get to this point?

In theory, eight years. In practice, I would say about three years.

The Throne & The Mobb are dope, give a synopsis…

They feed each other but they also stand alone. Both The Throne and The Mobb explore entertainment, fashion, art and culture in a South African context. The agencies study cultural insights and influencer relations in order to serve as a voice for the contemporary urban and creative landscape. Most importantly, they are 100% Black female owned – aiming to reshape and rethink the creative industry and dynamic for the generation coming on board in the future.

What’s an Influencer to you?

Someone who has the ability to affect how you think and feel about products or services and can ultimately control your purchase power as a result. It goes beyond the surface level and pretty pictures on social media. An influencer is someone who has built up a following based on who they are, what they know and has identified their niche. As a result, brands can use this knowledge and audience loyalty to collaborate with them for marketing purposes to achieve their specific objectives. Influencers are assets.

Writing, it’s either you have it or you don’t. Agree?

Yes and no. I think as with any creative field it’s part ‘gift’, part passion and equal parts practice. You have to constantly study and practice your craft as much as you are passionate about it. You can have a natural flair for writing but if you are not pushing yourself, studying other writers and researching, you don’t have it.

South African social media platforms that praise and promote females, do we have enough?

More than enough. We need to keep promoting and praising them more. Above that, we need to keep putting more women in influential positions and positions of power. The gatekeepers of said platforms are still predominantly male. Life is about balance, it needs to apply in quite simple and complex contexts.

They say the hustle never stops, do you ever stop working and just chill?

I think that when you love what you do, you become a workaholic by default. It’s always important to take time out. I make it a point to not check work related things after a certain point. If it’s urgent, it can find me at 5AM lol.

How would you want to change another person’s life through the work you do?

To keep being a source of inspiration or reference on a large scale. In the near future when I feel I have established myself, I’d definitely like to take a group under my wing; I suppose like a mentorship. I think that knowledge is best when it is shared. I want young people specifically to be able to enjoy the fruits of my labour and pass that on.

Where can everyone find your movement, handles?

Instagram: @thethronesa / @themobb_sa

Twitter: @TheThroneSA / @TheMobbSA

Website: www.thethrone.co.za / https://www.thethrone.co.za/the-mobb/

 

Bridgette Makhela 

Khai Swartz On House of Velour, Fashion And Being A Young Designer

Khai Swartz / 24 / Designer & Founder of House of Velour

You’re a young female making moves in the fashion industry, has this always been your dream?

Definitely, ever since I was a little girl I always knew I’d work in the fashion industry.

How did House of Velour come about?

I studied a BBA in Media at Lisof, worked for two years at Studio Space Pictures as a Production Assistant and decided I wanted to do my own thing. What better than going back to my roots? Fashion! I love working with different fabrics and textiles, so I started making my own clothes and posting them on social media. I then got the opportunity to work with Moozlie, and since then I’ve been making pieces for people who work in the entertainment industry: Musicians, Presenters, Actresses, Social Media Influencers, etc.

Who’s your target market and why?

My target market initially was influencers, I believed that if you influence the influencer, then the influencer will influence the public, if you get me. It now ranges from young to older people, whether they are creatives or work in the corporate industry, individuals who are bold and enjoy being daring, feeding their alter egos, love dressing up and stealing the show wherever they go, at an affordable price.

What’s the process like when creating a piece for a client?

The client has the option to see my designs online, and can alter it to their requirements. We make custom made garments too, it all depends on the client really.

How does House of Velour stand out from other designer lines?

HOV currently has it’s own aesthetic that nobody else really has. We have an old Hollywood twist to things, 90s Black Excellence vibes with a modern twist of colour. For example, with fur trench coats, HOV’s trench coats are baby blue. Eccentric colours.

  

What’s your plan for building a lasting, fashionable brand?

Just to stay relevant, keep up with trends but design my own twist to things of course, then hopefully open a boutique in the near future.

What would you like House of Velour to resonate with within the industry as a whole?

Class. Opulence. The Versace of designer lines!

How does a typical day look like for you?

I work alone. I have seamstresses in Town and Randburg that constantly work on my garments, turning my designs into reality. I wake up at around 9am, check on my seamstresses, have fittings throughout the day, then if I have time, go have lunch with friends then get back to delivering garments, all while having photo shoots and sending quotes, lol. My days are busy but I love what I do. Always up and down.

What’s still missing in the South African fashion industry when it comes to opportunities for the youth?

Exactly that. Opportunities for the youth. People believe in you and your dreams, however, they don’t like to assist up and coming artists with a monetary injection to help them grow and sustain their brand and that’s what I’ve mainly struggled with, especially men who have the ability to do so. If you’re a pretty girl, it’s even harder because people always want something from you that has absolutely nothing to do with your talent and aspirations, which has kind of set me back. I’ve rubbed shoulders with some of the most powerful and influential people in Johannesburg and have been miserably disappointed in their interests. I think the industry is dark, and if you’re not willing to “do what it takes”, you will hustle longer and harder than the rest.

 

Follow Khai Swartz & House of Velour!

Instagram: @khaiswz

Instagram: @houseofvelour

 

Bridgette Makhela 

Maitele Wawe On New Music, Fashion And Setting Trends

Maitele Wawe / 27 / Trendsetter, Artist & Social Entrepreneur

DSC_2827

You’re no stranger to the fashion industry, how did you make your mark as a fashion rebel?

There was a lot of passion involved, as being yourself is often not praised in our black communities. Being the trendsetter that I am, I always looked at things differently, hence my look and appearance that’s driven by an amazing sense of style and a very good eye for fashion.

You’re a young influential South African, how do you maintain focus and consistency on that level?

Discipline and loving what you do.

You’ve been approached and have worked with big names in the industry such as Top Billing and GQ, how does it feel to know that you’ve grabbed the attention of such entities?

As good as it feels, to me it’s just a part of the journey and the universe showing me love.

_39B5617

The Social Market in Pretoria continues to be a success, how much work goes into the upkeep of such a big event?

All I can say is the higher power keeps showing me more possibilities and in the process I have to learn as much as I can and remember that not all lessons are just a walk in the park. With a smile, I can say to you: think about a scenario where three years ago I needed no money to make my event happen, yet presently it requires about 150k to 200k to make it possible, with no sponsor! Celebrating three years of strength, learning and helping grow small black businesses. So much goes on in the up keep of so many black-owned brands in the country, this involves so many doors being closed in your face simply because you are black or don’t want to sell shares.

You’ve recently branched into music, has this always been part of your life plan?

Music is part of my growth, creatively.

You’re dropping your new song ‘Designa’ soon, what’s the message behind the music?

All I can say is that listening to it should take you into a trance, and that’s how we’ll connect.

d1f33d653e82cb5b7bb1411e499a9922

Any plans to eventually release an album?

Not before I feel that I am ready.

Where do you draw your holistic inspiration from when it comes to all that you do?

Crazy enough, I have no idea because most of the things I do are either something I challenged myself to do, or just try it to see what life comes after the original, you know.

Fashion or Food?

Definitely fashion.

Any major moves still on the way?

Well, the magician never reveals his tricks, so the people gotta keep watching the show.

7eeb56f656331b05285f9844ffeaebca

 

Follow Maitele!

Instagram: @maitele_wawe

Twitter: @maitele_mighty

Facebook: Maitele Wawe

 

Bridgette Makhela