Focalistic On Quarantined Tarantino, Rap In 2020 And Being The Hardest Working Artist

Lethabo “Focalistic” Sebetso / 23 / Musician

You’ve created such a major wave in the industry, was this always the plan?

Thank you. This is only 2% of the plan…I want to be the greatest ARTIST from Africa, so I am glad there is progress on this long journey ahead of me.

You always represent the city Pretoria, what do you love about the city?

What I love about Pretoria is the fact that the city taught me how to be comfortable with myself. It taught me a lot about accepting people from different walks of life, as it is so rich in culture. Pretoria is where I found myself, and I will always be grateful for that.

Describe rap in 2020?

Rap in 2020 has moved from the simple criteria of word play. It is deep. For me, it is about an unbreakable connection with the audience. If the person listening cannot relate, then it is easily classified as whack. The said connection is only attained by genuine music and genuine storytelling.

How are you setting yourself apart from other young rappers?

I am the hardest working, and I am the truest to myself. As a result, the saying “Ase Trap ke Pina tsa ko Kasi” means so much because it is how I decided to set myself apart.

Talent and hard work always win, but how do you take time to chill out?

I usually play FIFA on my PlayStation 4 to clear my mind and chill out. It is therapeutic and also helps keep my competitive personality in check.

Of all the music you’ve released, have a favourite one?

My favorite is always my most recent release. In this case, I am always listening to ‘Quarantined Tarantino’ right now as I feel that it is the most recent masterpiece from myself.

What’s the plan for your fans to never forget the name Focalistic?

I don’t try too hard for that. I am one person who believes in genuine connections. For me, listening to my music and if you love the vibe, I will forever be there for you. I am like your best friend in music, but, in the most genuine way, and that’s how I will be forever remembered.

If you could, what would you change about the industry you’re in?

I would change the opportunities given to people without influence. What I mean by this is we need to give more attention to up and coming artists, as they are extremely talented but just need more attention for them to prosper. The power to change and elevate South Africa lies in the youth and undiscovered talent.

Any newer music you plan on dropping this year?

For now, people need to keep checking out my new release titled #QuarantinedTarantino, which is out on ALL streaming platforms. But, I’m always in the studio so we may never know what can happen, maybe I will surprise my fans…Squad Sa Maradona are always ready for new music.

What keeps you motivated to keep working towards your goals

I’m always motivated by my mom. She managed to take us from Garankuwa in a backroom shack to a double story house. I just want to be able to thank her substantially and ensure that her, and my daddy in heaven are proud of me.

Follow Focalistic!

Instagram: @focalistic

Twitter: @FOCALISTIC

Facebook: @FOCALISTIC

 

-Bridgette Makhela 

Mihlali Ndamase On Content, Influencing And Beauty In The Digital Era

Mihlali Ndamase / 22 / Certified Makeup Artist, Brand Strategist, Beauty Content Curator & Co-Founder of Siyasizana Foundation

Content: What does this word mean to you?

Documenting and sharing what brings fulfillment to you.

In this era of social media, how did you become a Digital Entrepreneur?

As my brand grew, I started to understand it’s value and the value it brought to the brands I collaborated with, that’s when I decided to turn content curating into a business.

You’ve made a big name for yourself within the beauty space through your YouTube channel, has this always been your passion?

Yes it has, I started watching Beauty YouTubers at age of 15. I drew a lot of inspiration from them when I finally decided to start my channel.

What does it mean to you to hold an Influencer label?

Being an Influencer means to have the ability to influence the purchase decision of others because of one’s authority, knowledge, position and relationship with their audience. Being regarded as one is honestly such an honour, especially when you work on such platforms, it benefits your business immensely because brands are then able to trust you with their product.

What does a typical day look like for you?

Every day is different, it honestly depends. Sometimes I wake up, go to the gym, come home and shower and begin filming or shooting content. Other days I have shoots in studio or outdoors, depending on who I am shooting for and what the style of the shoot is, then there are meetings in between. Some days are purely for relaxation and unwinding. I either spend them at home alone, or out with friends or family.

You’re the co-founder of Siyasizana Foundation, what is it all about?

Siyasizana Foundation is a non-profit organisation which was founded by myself and Dineo Nono in 2017. We focus on addressing various needs in society, our projects consist of assisting everyone. We have worked closely with Thusong Youth Centre in Alexandra by throwing annual Christmas parties for the children, feeding them and supplying them with uniforms, clothes and blankets for the Winter season. We have also done baby drives (where we supply homes which house abandoned babies with food and clothing), pad drives, Winter clothing drives and book drives. We aim to grow and continue to empower men and women in our community and some day across South Africa.

Congratulations on winning the Cosmopolitan ‘Influencer of the Year Sparkle Award’, some advice to young ladies that look up to you?

Be very persistent in following your dreams, don’t let anybody tell you otherwise because your dreams are valid.

Pick one: Travel or Fashion?

Surely picking one should be illegal! I would have to go with travel.

Any exciting projects you’re working on for the rest of 2019?

More Masterclasses are to come, look out for ‘Beauty and The Beat’ in Durban, Cape Town and all over South Africa. I am also working on some exciting products and there is more growth and expansion to come for the Mihlali brand, I can’t give away too much so keep a lookout!

 

Follow Mihlali!

Instagram: @mihlalii_n

Twitter: @mihlalii_n

Facebook: @MihlaliiNdamase

 

-Bridgette Makhela

Naledi Sibisi On Content, The Throne And The Mobb

Naledi Sibisi / 26 / Editor-in-Chief at The Throne Agency

Content, what does this mean to you?

Quality, value, tact and reception. Beyond how you carry and pass on information, I think content (creation and marketing) has more to do with how much you captivate and keep your target audience. The people behind the content have to be in the know; research, be on top of trends, understand what is happening in their industries and address or influence their audience through that knowledge. I think that really great content has more to do with the audience than the creator or marketer in the end. Your audience is ultimately who keeps determining what content is and how it translates.

It took you how many years to get to this point?

In theory, eight years. In practice, I would say about three years.

The Throne & The Mobb are dope, give a synopsis…

They feed each other but they also stand alone. Both The Throne and The Mobb explore entertainment, fashion, art and culture in a South African context. The agencies study cultural insights and influencer relations in order to serve as a voice for the contemporary urban and creative landscape. Most importantly, they are 100% Black female owned – aiming to reshape and rethink the creative industry and dynamic for the generation coming on board in the future.

What’s an Influencer to you?

Someone who has the ability to affect how you think and feel about products or services and can ultimately control your purchase power as a result. It goes beyond the surface level and pretty pictures on social media. An influencer is someone who has built up a following based on who they are, what they know and has identified their niche. As a result, brands can use this knowledge and audience loyalty to collaborate with them for marketing purposes to achieve their specific objectives. Influencers are assets.

Writing, it’s either you have it or you don’t. Agree?

Yes and no. I think as with any creative field it’s part ‘gift’, part passion and equal parts practice. You have to constantly study and practice your craft as much as you are passionate about it. You can have a natural flair for writing but if you are not pushing yourself, studying other writers and researching, you don’t have it.

South African social media platforms that praise and promote females, do we have enough?

More than enough. We need to keep promoting and praising them more. Above that, we need to keep putting more women in influential positions and positions of power. The gatekeepers of said platforms are still predominantly male. Life is about balance, it needs to apply in quite simple and complex contexts.

They say the hustle never stops, do you ever stop working and just chill?

I think that when you love what you do, you become a workaholic by default. It’s always important to take time out. I make it a point to not check work related things after a certain point. If it’s urgent, it can find me at 5AM lol.

How would you want to change another person’s life through the work you do?

To keep being a source of inspiration or reference on a large scale. In the near future when I feel I have established myself, I’d definitely like to take a group under my wing; I suppose like a mentorship. I think that knowledge is best when it is shared. I want young people specifically to be able to enjoy the fruits of my labour and pass that on.

Where can everyone find your movement, handles?

Instagram: @thethronesa / @themobb_sa

Twitter: @TheThroneSA / @TheMobbSA

Website: www.thethrone.co.za / https://www.thethrone.co.za/the-mobb/

 

Bridgette Makhela 

Rudzani Netshiheni: HYPE Magazine’s Editor And How He’s Changing The Game

Rudzani Khorommbi “Roo” Netshiheni / 26 / Editor at HYPE Magazine / Chief Information Officer at TEMPLE AGENCY (super exclusive, to be announced soon)

You’re changing the game one word at a time, how’d you become HYPE Magazine’s editor?

It’s quite a simple story of how just reaching out can open doors. After my Matric year in 2010, I decided to take a gap year to find myself. Initially I wanted to study architecture (still do & will do soon) but the thought of it didn’t excite me that much anymore compared to when I was in high school. During that gap year I reconnected with one of my primary school best friends and we had so much in common after all these years of not communicating that it made sense why we were close in primary haha. Anyway, one of our interests was Hip-Hop culture and all the cool things that were a part of it. From the fashion, events and music, we were just obsessed with knowing what was going on. That sparked us to create a blog in 2012 called Temple Revolutions (one of TEMPLE AGENCY’s inspirations you see). The blog started when I was a first year student at Boston Media House. Every day we would rush over to some internet cafe in Hatfield and write about current Hip-Hop news and other cool things like sneakers, etc. As time progressed, people started noticing the blog and we started to get more confident in what we were doing, which led to us being more experimental and going out to Hip-Hop events, documenting them and just drowning within the creative atmospheres. I call those days our “studying” days because we were studying the game.

I remember we attended our first Back To The City festival event also in 2012, by then I had grown a taste for writing which helped with my studies, at that BTTC festival, I remember us standing in a long que waiting to get in and I noticed that they were handing out free HYPE Magazines. I took one of course and started going through its content. There were also some other Hip-Hop platforms at the festival and even though they didn’t compare to HYPE, I was still intrigued by them. I approached one guy that was a writer for one of the other Hip-Hop magazines, I won’t mention the name of the magazine as I don’t want to seem like I’m dissing it. I approached the guy and he gave me the editor of that magazine’s email address, that same night I sent an email to the editor asking to be a part of it. He replied once, I replied to his reply and after that never heard from him again. That disappointment was the tipping point that encouraged me to approach HYPE because initially I thought that the biggest Hip-Hop magazine in Africa wouldn’t have time for a young hungry kid like me. Simone Harris was the editor at the time, and I reached out to her. She replied and I responded to her without high hopes for things moving forward but Simone hit me up again. So, before I sent emails through to editors, I would always have about three articles I wrote to submit so they could review my writing skills. I sent Simone about three articles I had written at the time, she liked them and asked me if I would love to contribute to the HYPE website and I said hell yeah! Oh, I also had an article published on XXL’s website about South African Hip-Hop that gave me some credit. Also had HYPEBEAST connects but that’s a different story.

Four years later, I graduated. While at home chilling, frustrated because Simone had moved on from HYPE around that time and I didn’t know if that meant my time with HYPE had ended. Keep in mind I wasn’t getting paid or anything, but I truly felt blessed and cool for having been given the opportunity. Fred Kayembe was the new editor and we weren’t that close at the time. I think I only met him once at some HYPE event before Simone’s departure. I was in Venda getting my driver’s licence when I got a call from Fred who said that he loved my work and wanted me to come work with him. The timing of everything was perfect because when he called, I has just passed my driving test and then I got my first car, which helped with getting to the office on time. For a year I was Fred’s assistant, then in 2016 he moved on from HYPE to do crazier things and I took over. I probably skipped some parts because  it’s a long story.

What’s the vision for 2019?

The vision for 2019 is to really celebrate the future superstars within the music industry. Personally, I want to expand HYPE’s influence on the other genres too that are also still part of our community. Also have a vision to create more interactive experiences, collaborations and higher quality content. Its going to be a crazy year.

Hip-Hop, define it in your own words…

Hip-Hop is God’s gift to the world. Those are my words. This culture has changed so many lives and continues to do so and grow.

Who’s quickly making their come up in the industry according to you?

You have a lot of young artists and unique artists coming up. The likes of ByLwansta, who was one of our first HYPE Freshman, he is really set on dominating. ByLwansta is also the first South African (and only) to have appeared on the famous COLORS platform, which is crazy. Then you have new wave artists such as The Big Hash, Lethabo Acid, Yuang, PatricKxxLee and so many more paving their way to the top. Other artists like Touchline, Luna Florentino, Kingsweetkid, King Lutendo and a whole lot more are working hard. Then you have our HYPE Freshman 2018 winners such as Rowlene, ASON, 3ple B, Tian and others I mentioned before gearing up for a takeover. I’ve also been keeping an eye on the alternative guys like Tron Pyre, Angie Santana, Una Rams, Espacio Dios and so many others who are special.

Music, Fashion or Alcohol, one’s gotta go lol.

Alcohol can go bruh…

What are you grateful for the most?

I’m grateful for the opportunities I’m constantly given to make a mark and super grateful for the support structures I have.

Favourite jam at the moment?

I currently have Mac Miller’s ‘Wings’ on repeat now. R.I.P

When you started, you never thought…?

Never thought I would be such an influential voice in South African Hip-Hop and get event invites from London, New York & Los Angeles. Crazy.

Who is Roo really?

Roo is a grown-ass Venda kid from Shayandima who over the years has grown in confidence, appreciates all that God has blessed him with and is destined for overwhelming great things. That’s Roo.

 

Follow Roo!

Instagram: @_rooat

Twitter: @Roo_AT

Facebook: Rudzani Khorro Netshiheni

 

-Bridgette Makhela

Khai Swartz On House of Velour, Fashion And Being A Young Designer

Khai Swartz / 24 / Designer & Founder of House of Velour

You’re a young female making moves in the fashion industry, has this always been your dream?

Definitely, ever since I was a little girl I always knew I’d work in the fashion industry.

How did House of Velour come about?

I studied a BBA in Media at Lisof, worked for two years at Studio Space Pictures as a Production Assistant and decided I wanted to do my own thing. What better than going back to my roots? Fashion! I love working with different fabrics and textiles, so I started making my own clothes and posting them on social media. I then got the opportunity to work with Moozlie, and since then I’ve been making pieces for people who work in the entertainment industry: Musicians, Presenters, Actresses, Social Media Influencers, etc.

Who’s your target market and why?

My target market initially was influencers, I believed that if you influence the influencer, then the influencer will influence the public, if you get me. It now ranges from young to older people, whether they are creatives or work in the corporate industry, individuals who are bold and enjoy being daring, feeding their alter egos, love dressing up and stealing the show wherever they go, at an affordable price.

What’s the process like when creating a piece for a client?

The client has the option to see my designs online, and can alter it to their requirements. We make custom made garments too, it all depends on the client really.

How does House of Velour stand out from other designer lines?

HOV currently has it’s own aesthetic that nobody else really has. We have an old Hollywood twist to things, 90s Black Excellence vibes with a modern twist of colour. For example, with fur trench coats, HOV’s trench coats are baby blue. Eccentric colours.

  

What’s your plan for building a lasting, fashionable brand?

Just to stay relevant, keep up with trends but design my own twist to things of course, then hopefully open a boutique in the near future.

What would you like House of Velour to resonate with within the industry as a whole?

Class. Opulence. The Versace of designer lines!

How does a typical day look like for you?

I work alone. I have seamstresses in Town and Randburg that constantly work on my garments, turning my designs into reality. I wake up at around 9am, check on my seamstresses, have fittings throughout the day, then if I have time, go have lunch with friends then get back to delivering garments, all while having photo shoots and sending quotes, lol. My days are busy but I love what I do. Always up and down.

What’s still missing in the South African fashion industry when it comes to opportunities for the youth?

Exactly that. Opportunities for the youth. People believe in you and your dreams, however, they don’t like to assist up and coming artists with a monetary injection to help them grow and sustain their brand and that’s what I’ve mainly struggled with, especially men who have the ability to do so. If you’re a pretty girl, it’s even harder because people always want something from you that has absolutely nothing to do with your talent and aspirations, which has kind of set me back. I’ve rubbed shoulders with some of the most powerful and influential people in Johannesburg and have been miserably disappointed in their interests. I think the industry is dark, and if you’re not willing to “do what it takes”, you will hustle longer and harder than the rest.

 

Follow Khai Swartz & House of Velour!

Instagram: @khaiswz

Instagram: @houseofvelour

 

Bridgette Makhela 

SubVerse On ‘O Vaya Le Mang’ Single, Upcoming Album And Motswako

IMG_2165Kgomotso Mokgatlhe aka SubVerse / Rapper

How did you find your way into the rap game?

Growing up in the ‘90s, it was almost impossible escaping the influence of Hip Hop culture. My brother kept a steady supply of TDKs and recorded music videos as well. That’s what really built the foundation of my love for the rap game. From then, the early South African Hip Hop scene is what convinced me that it could really be done and I started writing raps of my own.

O Vaya Le Mang…How has the single being received so far?

The track has received quite a lotta love and we don’t expect that to slow down now that the video is out (https://youtu.be/HG5vTXzyQ2A)!! I’m mad excited about the video release and making sure everybody sees it!

DSC_5220You’ll be releasing your second album since 2013, how much work was put into it?

The work is still happening and I’m actually in studio at the moment putting tracks down. I’ve got some special tracks lined up and the style and theme is different from anything I’ve put out before!

Do you have a favourite track on The Take Off album?

It’s way too early to pick a favourite. I can never single out one track but there are a few collaborations up my sleeve that I’m secretly going crazy over!

DSC_5263Tswellopele…How did the album mould your career?

More than anything, Tswellopele showed me the power of will and perseverance. That we (PGP Music) were able to put out such a solid project together, shoot videos, sells CDs, set up gigs and perform – to do all of that independently is an amazing feature. That will forever be a source of inspiration for me. Also, the response that we got was an indication to me that we’re doing something right. There were a lot of lessons that we learnt in the artistic and business sense…I could go on for a while!

What inspires your lyrics?

Experiences and observations. It could be something as simple as something I see or read, or a memory. There’s way too many sources of inspiration!

Motswako, what does it mean to you?

Motswako is the power of expressing yourself on your own terms! It’s powerful stuff if you think about the achievements that have been clocked in the name of Motswako. And I truly believe we ain’t seen nothing yet!

SONY DSCMaintaining consistency in the industry, how do you plan to do that?

I think maintaining consistency is purely a matter of trusting one’s talent and skill. There’s way too many trends and overnight buzzes to try keep up with. If you know what the end goal is, consistency shouldn’t be a fear-driven thing.

Food or FIFA?

I’m tempted to say FIFA…but this completely depends on the time of day, hahaha!

If you weren’t in the Hip-Hop game what would you be doing with your life?

I’d still be in the music scene in some other role. I’m way too passionate about music to imagine myself not involved in one way or another. That and sports.

DSC_5215

Follow SubVerse!

Instagram: Subvwarusty

Twitter: @SubVwaRusty

Facebook: SubVerse

Soundcloud: SubVerse

YouTube: SubVerse

 

Bridgette Makhela