Rudzani Netshiheni: HYPE Magazine’s Editor And How He’s Changing The Game

Rudzani Khorommbi “Roo” Netshiheni / 26 / Editor at HYPE Magazine / Chief Information Officer at TEMPLE AGENCY (super exclusive, to be announced soon)

You’re changing the game one word at a time, how’d you become HYPE Magazine’s editor?

It’s quite a simple story of how just reaching out can open doors. After my Matric year in 2010, I decided to take a gap year to find myself. Initially I wanted to study architecture (still do & will do soon) but the thought of it didn’t excite me that much anymore compared to when I was in high school. During that gap year I reconnected with one of my primary school best friends and we had so much in common after all these years of not communicating that it made sense why we were close in primary haha. Anyway, one of our interests was Hip-Hop culture and all the cool things that were a part of it. From the fashion, events and music, we were just obsessed with knowing what was going on. That sparked us to create a blog in 2012 called Temple Revolutions (one of TEMPLE AGENCY’s inspirations you see). The blog started when I was a first year student at Boston Media House. Every day we would rush over to some internet cafe in Hatfield and write about current Hip-Hop news and other cool things like sneakers, etc. As time progressed, people started noticing the blog and we started to get more confident in what we were doing, which led to us being more experimental and going out to Hip-Hop events, documenting them and just drowning within the creative atmospheres. I call those days our “studying” days because we were studying the game.

I remember we attended our first Back To The City festival event also in 2012, by then I had grown a taste for writing which helped with my studies, at that BTTC festival, I remember us standing in a long que waiting to get in and I noticed that they were handing out free HYPE Magazines. I took one of course and started going through its content. There were also some other Hip-Hop platforms at the festival and even though they didn’t compare to HYPE, I was still intrigued by them. I approached one guy that was a writer for one of the other Hip-Hop magazines, I won’t mention the name of the magazine as I don’t want to seem like I’m dissing it. I approached the guy and he gave me the editor of that magazine’s email address, that same night I sent an email to the editor asking to be a part of it. He replied once, I replied to his reply and after that never heard from him again. That disappointment was the tipping point that encouraged me to approach HYPE because initially I thought that the biggest Hip-Hop magazine in Africa wouldn’t have time for a young hungry kid like me. Simone Harris was the editor at the time, and I reached out to her. She replied and I responded to her without high hopes for things moving forward but Simone hit me up again. So, before I sent emails through to editors, I would always have about three articles I wrote to submit so they could review my writing skills. I sent Simone about three articles I had written at the time, she liked them and asked me if I would love to contribute to the HYPE website and I said hell yeah! Oh, I also had an article published on XXL’s website about South African Hip-Hop that gave me some credit. Also had HYPEBEAST connects but that’s a different story.

Four years later, I graduated. While at home chilling, frustrated because Simone had moved on from HYPE around that time and I didn’t know if that meant my time with HYPE had ended. Keep in mind I wasn’t getting paid or anything, but I truly felt blessed and cool for having been given the opportunity. Fred Kayembe was the new editor and we weren’t that close at the time. I think I only met him once at some HYPE event before Simone’s departure. I was in Venda getting my driver’s licence when I got a call from Fred who said that he loved my work and wanted me to come work with him. The timing of everything was perfect because when he called, I has just passed my driving test and then I got my first car, which helped with getting to the office on time. For a year I was Fred’s assistant, then in 2016 he moved on from HYPE to do crazier things and I took over. I probably skipped some parts because  it’s a long story.

What’s the vision for 2019?

The vision for 2019 is to really celebrate the future superstars within the music industry. Personally, I want to expand HYPE’s influence on the other genres too that are also still part of our community. Also have a vision to create more interactive experiences, collaborations and higher quality content. Its going to be a crazy year.

Hip-Hop, define it in your own words…

Hip-Hop is God’s gift to the world. Those are my words. This culture has changed so many lives and continues to do so and grow.

Who’s quickly making their come up in the industry according to you?

You have a lot of young artists and unique artists coming up. The likes of ByLwansta, who was one of our first HYPE Freshman, he is really set on dominating. ByLwansta is also the first South African (and only) to have appeared on the famous COLORS platform, which is crazy. Then you have new wave artists such as The Big Hash, Lethabo Acid, Yuang, PatricKxxLee and so many more paving their way to the top. Other artists like Touchline, Luna Florentino, Kingsweetkid, King Lutendo and a whole lot more are working hard. Then you have our HYPE Freshman 2018 winners such as Rowlene, ASON, 3ple B, Tian and others I mentioned before gearing up for a takeover. I’ve also been keeping an eye on the alternative guys like Tron Pyre, Angie Santana, Una Rams, Espacio Dios and so many others who are special.

Music, Fashion or Alcohol, one’s gotta go lol.

Alcohol can go bruh…

What are you grateful for the most?

I’m grateful for the opportunities I’m constantly given to make a mark and super grateful for the support structures I have.

Favourite jam at the moment?

I currently have Mac Miller’s ‘Wings’ on repeat now. R.I.P

When you started, you never thought…?

Never thought I would be such an influential voice in South African Hip-Hop and get event invites from London, New York & Los Angeles. Crazy.

Who is Roo really?

Roo is a grown-ass Venda kid from Shayandima who over the years has grown in confidence, appreciates all that God has blessed him with and is destined for overwhelming great things. That’s Roo.

 

Follow Roo!

Instagram: @_rooat

Twitter: @Roo_AT

Facebook: Rudzani Khorro Netshiheni

 

-Bridgette Makhela

Conté Creatives: Creative Content Producing Company

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Conté Magazine seems like a really cool source of creative information, what is it all about?

The Conté creative portfolio is aimed at creative African individuals such as illustrators; fine artists; graphic designers; animators; architects; interior designers; poets; photographers and fashion designers. These creatives are given the opportunity to be featured in both digital and print spheres (Conté Digital and Conté Magazine).

Conté Digital is released monthly online, enabling artists to expand their reach to the international markets; those same artists are then allowed to fully exhibit their work in a themed print edition of the Conté Magazine.

Conté Magazine is a Quarterly Creative book that is accompanied by an exhibition event, where all the featured artists get the chance to have their work exhibited. Twice a year, creatives have a platform to have their work displayed and fully exhibited. This is the ultimate Conté vision.

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How and when was Conté Magazine founded?

Conté Magazine is a company started under our holding company Conté Creatives. The agency, which was founded on the 6th of November 2014. The first magazine was released on the 7th of May 2015.

We previously worked at a Transmedia company situated in Auckland Park, and towards the end of our contract, instead of having it renewed, we chose to look for work spaces that would enable us to start our own projects. We found a place called JoziHub, a tech based Hub at 44 Stanley Avenue. This was the beginning of all our Conté adventures.

Is there a specific market you are aiming for/at?

Our Market is extremely vast. When we started our target with creatives all across the board. Weirdly enough, after the release of our 2nd Issue, we realized that our market had changed. We were attracting more businesses, corporate individuals, art buyers and investors. With each issue we learn that our target keeps changing rapidly, which isn’t bad at all. As long as we bring more awareness to creatives all over Africa.

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 What does the content you produce seek to fulfill?

The content we produce is aimed at driving collaboration among artists in order to turn the arts into a force to be reckoned with. We started a vision that would revolutionize the way people think of the creative industry internationally. It is more than just a creative portfolio, it allows the reader to be involved in the creative process, to make the transition from consumer and viewer to creator and enthusiast. We are all about changing the way we work together.

Your upcoming event in June, do elaborate as to what can be expected by attendees?

Each of our events bring a different element each time. Our magazines are themed each issue, and based on the theme, our events take on elements of that theme. This upcoming event, sponsored by the University of Johannesburg, will be based on the current theme “RAW” and the other exciting thing about this event is that it will be around the week of June 16 and we are trying to celebrate the creative students.

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 What can readers expect in the next issue to be released?

This next issue is going to bring on a different aspect of things we see on a daily basis. This “RAW” issue is living up to it’s name…everything is going to be Raw, uncensored, unscripted. Whatever comes to your mind…we will be showing that off to the world…and the lovely thing about this issue, is that it is off to New York in July.

How was the feedback from your previous event, the Revolution issue launch?

Every launch we’ve had, has brought about more interest, more excitement, and more sponsors. And the Revolution issue was no different. We have received nothing but POSITIVE feedback throughout.

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As a South African creative content producing company, what does a day in the office look like?

A day at the office is always exciting…we are all very busy, but the busyness isn’t overwhelming because we all get to do what we ABSOLUTELY love doing. We are all a fun bunch, so coming to work is always entertaining.

What is the way forward for Conté Magazine for the years to come?

Moving forward, Conté’s mission is to expand its leadership role in the creative market, using groundbreaking creative solutions and also expanding creative collaboration by using it’s publications. There is a lot to look forward to because more than anything we want to be the international voice for African Creatives and whatever we can do to make sure we are that, we will most definitely do.

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Follow Conté Magazine!

Instagram: @contemagazine

Twitter: @ConteMagazine

Facebook: Conté Magazine

 

Bridgette Makhela