Sazi Ngcobo On Rusco Experiential, Marketing And The Events Industry

Sazi Ngcobo / 32 / Director & Owner of Rusco Experiential

Being in the events industry, what the biggest challenge?

Currently, the biggest challenge for us is to simply stay afloat. Our industry is one of the hardest hit by the pandemic, meaning that for the next few months we have to operate differently as a company. This has resulted in the need for us to reduce overheads (without cutting people), implement new methods of delivering experiences whilst still trying to be innovative & creative.  This entire period has actually been as exciting as it has been stressful. However, take Covid-19 out the equation, and the biggest challenge we face on a day to day basis is managing client expectations with client budgets, whilst still striving to deliver high quality productions and experiences.

The hardest lesson you’ve learnt throughout your career?

Try as you might, you can’t please everyone, and you can’t always be the nice guy! I had to learn that the hard way, but in the end I find that people respect you more (especially your staff) if you tell it like it is when it’s in the name of reaching the high standards that we set for ourselves.

What makes you happy about the field you’re in?

So many things come to mind. If I was to highlight some, here’s top 3:

1: The fact that no two days are the same, every project/experience is different. One can never get bored when they are doing something new every day!

2: People! In this industry you work with and meet people from all different walks of life. From CEO’s to entry level creatives, from world renowned chefs to students who waitress part time. Each person has their own unique story and getting to hear so many is amazing!

3: I love that we get to give life to ideas! The process from concept to execution is extremely stressful and draining, but the feeling of standing back and watching people enjoy an experience that until then lived only in your mind is unfathomable! It’s like a drug!

What sets Rusco Experiential apart from other experiential companies?

Well the first and most obvious differentiator is experience. My partner started Rusco 14 years ago and has since worked on a multitude of events and productions. The reason why that’s so important is that with experience comes trust! Clients trust us to deliver at a high level largely because we’ve been doing it for so many years! A second differentiator for us is that we play in several different spaces simultaneously. We are in the hospitality game (we own and run Pegasus Lounge and the Durban July and Decadance Lounge at Delicious Festival), we are in the eventing game, however we produce events for our clients as opposed to doing our own event, we are also in the sponsorship game in that one of our strategic partners is Big Concerts. With all this, we still take pride in being very low-key and behind the scenes.

What do you think the South African events industry does well?

As far as event productions are concerned, it’s safe to say that although we don’t have the latest technologies and massive budgets seen around the world, we throw world class productions on a constant basis. I’m always proud to be South African when I go to experiences like Friends of Amstel, Castle Lite Unlocks or Rocking The Daisies. Our events, in particular our larger scale events, are on par with some of the best events around the world, and with more people supporting them, they can only get better. Who’s to say South Africa can’t be the destination for the next Coachella?!

The entertainment and events industry are close partners, how does marketing play an imperative part?

Coming from a background in marketing, I would say that to market yourself and your event well is vital (especially for a new event). I mean what’s the use of throwing a dope experience if there’s nobody there to experience it? With that said, we find ourselves working very closely with the entertainment industry. In fact I would go as far to say that we are the intermediary between the entertainment and corporate world.

Most prestigious event you’ve ever worked on?

That’s a tricky one. I would have to say that the most ‘prestigious’ event we did was the President’s Golf Day that we were blessed to be involved with in 2020 (before the Corona virus of course). However, from a personal point of view, I would have to say that the Miller Music Drop Experience we did in 2019 was the best event I worked on, simply because it was a personal project that I’d been trying to execute for about 2 years and Miller Genuine Draft actually gave us the chance to bring it to life.

Any regrets throughout your journey so far?

None! I’m a firm believer that everything happens for a reason, and that we learn a lot more from our mistakes than our successes.

Where can people get to know more about Rusco Experiential?

Shameless plug time, lol. You can find us on our website www.rusco.co.za. You’ll get to see a lot of what we actually do there. Alternatively, we are on Instagram, Facebook and Twitter @RuscoExperiential.

 

Follow Sazi!

Instagram: @sazingcobo

Twitter: @Saz_SA

Facebook: @SazNgcobo

 

-Bridgette Makhela

Katlego Maboe On Life Behind The Camera, Pet Peeves And What Brings Him Joy

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Katlego Maboe / 29 / Multiple award winning TV host on the Expresso Breakfast Show & Strictly Come Dancing (Seasons 7 and 8) on SABC3

What kind of a guy is Katlego?

Electrifying, energetic, ambitious, family oriented, fun-loving, serious, weird guy who loves life and all good things about it.

How did the entertainer bug bite you, was it always in your life plan?

My late uncle, Martin Maboe, was quite the entertainer and I would watch him, trying to imitate him in order to entertain friends and family. I enjoyed the spotlight, so much so that subconsciously I pursued every opportunity to display my talent. I don’t think that it was ever a life plan that I made but perhaps one that God made for me because life has always found a way of steering me back onto the path of music and entertainment.

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Did you actually study for your chosen career path?

Not at all. I studied B. Com Chartered Accounting; quite far removed from the world I currently call my career.

How’s your typical day like?

No day is ever the same. The only constant is my call-time at Expresso and the time the show ends at 09h00. The rest of the day is spent training, preparing for the next day’s show and imminent corporate engagements all while growing my personal brand and leading by example.

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What brings you joy?

The ability to use my God given talent everyday in whichever way possible to make the world a better place. Music is one of those things – it makes me feel closest to God.

Any pet peeves?

People that make it their life mission to take away from other people’s happiness.

That one thing you always do before the camera zooms in you?

Think of how I can make the person watching from home smile.

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Would you ever retire?

God willing, no. I enjoy what I do so much, I wouldn’t mind doing it ’till my last day.

Cape Town or Jozi?

#CoZi – that’s Cape Town and Jozi. Both cities offer things I like. Jozi has that vibrant energy and ambitious spirit of youth chasing dreams while Cape Town oozes with serenity and a quality of life that is tough to beat. If they were one city, I’d be complete.

What or who do you do this for?

My mother. I owe her my life and all I do is to make her proud everyday.

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Follow Katlego!

Instagram: @katlegomaboe

Twitter: @KatlegoMaboe

Facebook: Kaltego Maboe

*Photographer: Michael Le Grange

 

Bridgette Makhela

Conté Creatives: Creative Content Producing Company

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Conté Magazine seems like a really cool source of creative information, what is it all about?

The Conté creative portfolio is aimed at creative African individuals such as illustrators; fine artists; graphic designers; animators; architects; interior designers; poets; photographers and fashion designers. These creatives are given the opportunity to be featured in both digital and print spheres (Conté Digital and Conté Magazine).

Conté Digital is released monthly online, enabling artists to expand their reach to the international markets; those same artists are then allowed to fully exhibit their work in a themed print edition of the Conté Magazine.

Conté Magazine is a Quarterly Creative book that is accompanied by an exhibition event, where all the featured artists get the chance to have their work exhibited. Twice a year, creatives have a platform to have their work displayed and fully exhibited. This is the ultimate Conté vision.

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How and when was Conté Magazine founded?

Conté Magazine is a company started under our holding company Conté Creatives. The agency, which was founded on the 6th of November 2014. The first magazine was released on the 7th of May 2015.

We previously worked at a Transmedia company situated in Auckland Park, and towards the end of our contract, instead of having it renewed, we chose to look for work spaces that would enable us to start our own projects. We found a place called JoziHub, a tech based Hub at 44 Stanley Avenue. This was the beginning of all our Conté adventures.

Is there a specific market you are aiming for/at?

Our Market is extremely vast. When we started our target with creatives all across the board. Weirdly enough, after the release of our 2nd Issue, we realized that our market had changed. We were attracting more businesses, corporate individuals, art buyers and investors. With each issue we learn that our target keeps changing rapidly, which isn’t bad at all. As long as we bring more awareness to creatives all over Africa.

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 What does the content you produce seek to fulfill?

The content we produce is aimed at driving collaboration among artists in order to turn the arts into a force to be reckoned with. We started a vision that would revolutionize the way people think of the creative industry internationally. It is more than just a creative portfolio, it allows the reader to be involved in the creative process, to make the transition from consumer and viewer to creator and enthusiast. We are all about changing the way we work together.

Your upcoming event in June, do elaborate as to what can be expected by attendees?

Each of our events bring a different element each time. Our magazines are themed each issue, and based on the theme, our events take on elements of that theme. This upcoming event, sponsored by the University of Johannesburg, will be based on the current theme “RAW” and the other exciting thing about this event is that it will be around the week of June 16 and we are trying to celebrate the creative students.

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 What can readers expect in the next issue to be released?

This next issue is going to bring on a different aspect of things we see on a daily basis. This “RAW” issue is living up to it’s name…everything is going to be Raw, uncensored, unscripted. Whatever comes to your mind…we will be showing that off to the world…and the lovely thing about this issue, is that it is off to New York in July.

How was the feedback from your previous event, the Revolution issue launch?

Every launch we’ve had, has brought about more interest, more excitement, and more sponsors. And the Revolution issue was no different. We have received nothing but POSITIVE feedback throughout.

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As a South African creative content producing company, what does a day in the office look like?

A day at the office is always exciting…we are all very busy, but the busyness isn’t overwhelming because we all get to do what we ABSOLUTELY love doing. We are all a fun bunch, so coming to work is always entertaining.

What is the way forward for Conté Magazine for the years to come?

Moving forward, Conté’s mission is to expand its leadership role in the creative market, using groundbreaking creative solutions and also expanding creative collaboration by using it’s publications. There is a lot to look forward to because more than anything we want to be the international voice for African Creatives and whatever we can do to make sure we are that, we will most definitely do.

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Follow Conté Magazine!

Instagram: @contemagazine

Twitter: @ConteMagazine

Facebook: Conté Magazine

 

Bridgette Makhela